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A large portion of the stage will be taken up by a very big hole

This timeless tale of arrogance and impotance roars to life in this hilarious and terrifying adaptation.

All characters* to be played by themselves. Lighting by God.**

*Understudied by a man, white, mid-40s, countertenor, who grew up listening to the record and knows all the words to all the songs and has always wanted to play all the roles.

**Understudied by Marcus Dillard.

We put men onstage. Naked. Like ya do.

Come on. It explains itself. Honestly, I think History Theatre should pick it up for next year.

Neil Simon's 1976 cinematic skewering of mystery novel tropes comes to the stage, complete with falling gargoyles, screaming doorbells, and the scene between the blind butler and the deaf housemaid (audio description and ASL interpretation offered at all performances, natch). Revolving set. Stunt-cast local media and/or political celebrities in walk-on roles as Perrier's chauffeur and Wang's adopted son. Anna ad libs Twain's climactic rant, so the show is never the same twice.

In the suburban home of Tea Party member, having a tea party with their Tea Party friends. Nevermind the english accents. Political discourse has gotten so absurd this play now makes the most sense ever in their mouths. In the total non-sequitor part that ends the play, some of the lines are spoken by newscasters from the televisions around the set.