The Poetics of Bradley and Joel

by Marya Hornbacher • Nov. 9

Bradley Greenwald and Joel Sass, who seem to speak their own language, pull off a remount of I AM MY OWN WIFE that surpasses the award-winning 2006 production.

Winter Comes to Town

by Marya Hornbacher • Oct. 19

Process

Playwright Winter Miller dances in a coffee shop, inverts self twice, and speaks to the matter of grace

A short chat with playwright Dominic Orlando

by Marya Hornbacher • Oct. 5

In which playwright Dominic Orlando accidentally terrifies the interviewer.

A tale of two theater towns

by Marya Hornbacher • Apr. 25

Audience

Chicago and Minneapolis; Sex and Song; the practical and literal versus the conceptual and suggestive; the heart and body versus the mind.

The missing Minnesota mythos

by Marya Hornbacher • Jan. 17

Criticism | Vision

"We are on the cusp of a change in what Twin Cities theater is, or at least, what it is willing to do."

Full-on Fringe

by Marya Hornbacher • Jul. 8

Fringe

Writer Marya Hornbacher attempted full-on immersion at the 2009 Fringe and comes out the other side transformed.

Open doors

by Marya Hornbacher • May. 6

Innovation

The real risk in creating new work is not that the audience won't understand our vision; the real risk is that we won't understand theirs.

Watch out

by Marya Hornbacher • Dec. 21

Criticism

Prof. Paul Woodruff wrote a book on the “art of watching and being watched.” You should avoid reading it if you possibly can.

Resurrection

by Marya Hornbacher • Jan. 7

Audience | Vision

Theater brings mystery, excitement, and romance, and that’s just when her parents first met. Then she started to see shows.